Lucija Klarić: last train. [POSTPONED]

Ironizing her fear of growing up, and thus of aging, the author launches into a search for interlocutors who will help her answer questions such as - is there a late or too late time in life, what it means to be an adult, and when exactly does this transformation from a young person to an adult occur? Emphasizing the ruthlessness of time in an uncertain social constellation that is only directed forward, that sees value only accumulatively and has a short-term memory, the author searches within the given framework for pieces of tenderness that we can provide ourselves.

At the author's invitation each time a different performer participates in the performance, which allows for a series of new encounters and exchanges in which vulnerability, spontaneity, and mistakes are welcomed, reflecting in form what is present in both the theme and narrative of the play.