Rémi Georges: Ralt144MI
[Fubar expo 2k24] Ralt144MI is an audiovisual project centered on the practice of live-coding.
Evolving mainly between technoid music and electro-acoustic works. And focusing on some form of technological archiving by using live-coding to control old or obsolete gears and technologies. This project often relates to aquatic aesthetics, not only in visual terms but also through sound research, as it was first born from the rediscovery of a large stock of home family video tapes made while scuba diving, which served as a creative basis for the visual and sound content.
A desire to smooth out the relationship between performer and audience is also taken to heart – the idea that the audience can become an active participant in the work that is being created. Following the Toplap Manifesto on live-coding practice, by showing his screen to be fully transparent with the audience and using only open-source or bespoke live-coding software.
Rémi Georges is a computer music designer, musician and audiovisual artist based in Lyon.
Combining old and new technologies in his personal projects, he creates customized tools, installations and compositions, with particular interest in the image-sound relationship, using open-source tools and following the artistic scenes of GlitchArt, AsciiArt, Algorave and Demoscene.
He is an active member of the Cookie Collectif [cookie.paris] , TOPLAP [toplap.org], and french DIY music scene; organizing events, and releasing prints and cassettes under his label Ordinateur Dans La Tête. [ordinateurdanslatete.bandcamp.com]
He performs under the name Ralt144MI, a project centered on the practice of live-coding. Evolving mainly as a solo project, between technoid music and electro-acoustic works where visuals are always as important as sounds. Focusing on some form of technological archiving by using live-coding to control old or obsolete gears and technologies. remigeorges.fr
